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Copié dans le presse-papier :Matisse in the 1930s - Cécile Debray, Claudine Grammont, Cécile Girardeau, Alix Agret, Anne Théry, Musée Matisse, Matthew Affron - 2022 - https://cep.museepicassoparis.fr/en/node/102898
Title
Matisse in the 1930s
Édition
Philadelphia Museum of Art, in association with Yale University Press
Date
2022
Type de support
Catalogue d'exposition
Title
Matisse in the 1930s
Édition
Philadelphia Museum of Art, in association with Yale University Press
Date
2022
Description matérielle
1 volume (255 pages) ; illustrations
Dimension
33 cm
Langue(s)
anglais
Titre de forme
Exposition, Philadelphie, Philadelphia Museum of Art, 2022-2023
ISBN
978-0-87633-299-3, 0-87633-299-8
Notes
In 1930, as Henri Matisse (1869-1954) embarked on The Dance, a monumental mural commissioned by the American collector Albert C. Barnes, he began experimenting in ways that would permanently change the nature of his work. The use of pre-painted cut papers to lay out his compositions led to a new style of flat tones and bold shapes. He also increasingly used serial imagery to make visible his creative process, aiming to capture the flux of his own perceptions and emotions in the work of art. This volume highlights and explains pivotal transformations in Matisse's work in the 1930s across a range of media, including mural and easel painting, sculpture, printmaking, drawing, and the illustrated book. The transatlantic contributors also look at the relationship between Matisse and the Parisian art journal Cahiers d'art, which played an outsized role in publicizing Matisse's work during this period, and consider his exhibitions, his ongoing involvement with decorative painting, his studio as a creative laboratory, and the role of his model and muse Lydia Delectorskaya in his studio practice

Statut
Ressources documentaires
Institution
Musée national Picasso-Paris
Inventory number Cote topographique Conditions d'accès Localisation Description
BIB 013941 2022 PHI Communicable Salle de lecture